The film is notable for its technical deficiencies, especially its editing and continuity flaws, poorly-synchronized soundtrack and visuals, tedious pacing, abysmal acting, and several scenes that are seemingly inexplicable or disconnected from the overall plot, such as a nameless couple making out in a car and The Master's wives inexplicably breaking into catfights. Manos remained obscure until 1993, when the television series Mystery Science Theater 3000, a show based on the premise of comedically mocking B movies, featured the film in an episode, helping it develop a cult reputation as one of the worst films ever made. Upon its theatrical debut, the film was poorly received, playing only at the Capri Theater in El Paso and some drive-ins around West Texas and New Mexico. Manos was made by a crew with little or no background or experience in filmmaking and a very limited budget at its disposal. He also starred in it, alongside El Paso theatre actors Tom Neyman and John Reynolds. Warren was an insurance and fertilizer salesman from El Paso, Texas, who produced the film as the result of a bet with screenwriter Stirling Silliphant. After a long drive in the Texas desert, the family find themselves trapped at a lodge maintained by a polygynous pagan cult led by a man known only as The Master, and they attempt to escape as the cult members decide what to do with them. The film's plot revolves primarily around a vacationing family who lose their way on a road trip. Manos: The Hands of Fate is a 1966 American no-budget horror film written, directed, and produced by Harold P.
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